The Wanderer

http://theamisblog.wordpress.com/

Would I Rather?

Would I rather be untouchable
and outsidely whole,
a whole hole inside notwithstanding,
cold and immovable,
safe?
Or would I rather expose it all,
naked and raw and vulnerable,
a whole of a hole showing,
in danger?
A life refusing love,
or love refusing a life,
again and again and again.

(Source: mols)

(Source: mols)

Dear Belgium,

Sorry about everything last year. I promise to come back and actually see you someday, instead of just throwing up on you.

Love,

A Penitent Former Exchange Student

I’ve had the lyrics from “Punching in a Dream” stuck in my head all day. Specifically the phrase “punching in a dream”, which I suppose could tell you a lot about my poor dreams right now. Ouch.

I have often asked myself why I enjoy writing (manually, that is) to such a great extent that usually the pleasure of having a nice sheet of paper and a good pen in front of me (as if it were the work bench of the bricoleur) makes up for the often thankless tasks of intellectual labor. Even as I reflect on what I should write (as is happening at this very moment), I feel my hand move, turn, connect, dive, rise, and often enough, as I make my corrections, erase or even obliterate a line. This field expands until it reaches the margins, thus creating, out of seemingly functional and minuscule traces (letters), a space which is quite simply that of art. I am an artist, not because I represent an object, but more fundamentally, because, as I write, my body shudders with the pleasure of marking itself, inscribing itself, rhythmically, on the virgin surface (virginity being the infinitely possible)… . Writing is not only a technical activity, it is also a bodily practice of jouissance.

Roland Barthes, from the preface to La civilisation de l’écriture by Roger Druet and Herman Grégoire (via awritersruminations)

Whatever I looked at was alive, everything had a voice,
but I never found out were you a friend, an enemy,
was it winter, summer? Smoke, singing, midnight heat.
I wrote thousands of lines. Not one told me.

Anna Akhmatova, from “Fragment, 1959,” trans. Stephen Berg (via proustitute)

Carry me with you
and find me in all you see
wherever you go.

Daily Haiku on Love by Tyler Knott Gregson (via tylerknott)

(via sad-soulful-sleepyhead)

People think of me as someone they can talk to rather than sleep with.

Robert Smith, 1987  (via cityyandcolour)

(Source: youholdmehypnotised, via sad-soulful-sleepyhead)